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Comedy writers spend a lot of time trying to be funny.

Drama writers often don’t. And yet some of the funniest hours of television ever made live inside drama series.

Why? Because comedy inside drama works differently. It usually comes from character rather than jokes. It comes from pressure, awkwardness, absurd situations, or someone behaving with complete seriousness while everything around them descends into chaos.

It also does something else that sitcoms sometimes can’t.

It lulls you into a false sense of security.

You laugh. You relax. Then the story hits you with something darker. Sometimes much darker.

Several of the episodes below do exactly that. They start funny, sometimes extremely funny, and then remind you that you’re not actually watching a comedy at all.

Here are ten of the best examples.

Humbug – The X Files

(with a special mention for Clyde Bruckman’s Final Repose)

If you want to understand when The X Files realised it could be funny, this is the episode.

Mulder and Scully investigate a series of murders in a town populated by circus sideshow performers. It’s bizarre, slightly grotesque and completely deadpan.

Mulder treats the whole situation with fascinated enthusiasm while Scully looks like she would very much like to go home.

The humour comes from contrast. Mulder sees wonder everywhere. Scully sees paperwork and a migraine coming on.

It’s also the moment the show leaned into its own weirdness.

A special mention has to go to Clyde Bruckman’s Final Repose, which may be the funniest episode about death ever written. It’s quietly hilarious, then quietly devastating.

Safe Room – Succession

Few shows are as viciously funny as Succession, and this episode traps its characters in the perfect setting.

The Roy family are herded into panic rooms during a supposed security threat at Waystar Royco headquarters.

What follows is essentially a pressure cooker of ego, paranoia and corporate nonsense.

Characters panic about stock prices while others debate whether the panic rooms are sufficiently luxurious. Meanwhile Tom and Greg continue their strange, wonderful double act.

Succession’s humour always comes from people who believe they are extremely competent while proving the exact opposite.

Pine Barrens – The Sopranos

If you ever wanted to watch two gangsters slowly become incompetent survivalists, this is the episode.

Paulie and Christopher botch a routine job and end up lost in the snowy woods of New Jersey.

Instead of behaving like terrifying mobsters, they argue, panic, complain about food and completely lose control of the situation.

It’s hilarious.

The brilliance of The Sopranos is that it never stops being a crime drama while doing this. The stakes are real. The characters just happen to be idiots.

The Gang Deals With an Alternate Reality – The Good Fight

(with a nod to The Gang Gets Satirised and Doesn’t Mind)

The Good Fight may be the only legal drama that casually drops animated musical numbers into the middle of a serious political story.

This episode plays with the idea of alternate realities, conspiracy thinking, and media manipulation. It’s sharp, surreal and very funny.

In fairness, most episodes of this show are funny.

But this episode in particular feels like the writers quietly saying, “We’re a drama… but we’re also having a lot of fun.”

One of the best series ever made. Shame on UK TV which has only just shown the whole series.

Partners in Crime – Doctor Who

This is Catherine Tate and David Tennant at their absolute best.

The Doctor and Donna accidentally infiltrate the same company while investigating suspicious weight-loss pills.

The scene where they spot each other across an office and silently mime their way through the investigation is one of the funniest moments in modern Doctor Who.

It’s essentially a silent comedy routine inside a sci-fi mystery.

Also, if you want a surprisingly early warning about miracle weight-loss meds, the episode had that covered years ago. We’ll leave it there.

The French Mistake – Supernatural

This episode commits completely to chaos.

Sam and Dean are transported to an alternate universe where they discover they are actors on a television show called Supernatural.

Watching them wander around a film set, trying to understand cameras and pretend to act, is pure meta comedy.

It’s ridiculous, self-aware and clearly enormous fun for everyone involved.

Sometimes the funniest thing a drama can do is break its own rules for an hour.

The Zeppo – Buffy the Vampire Slayer

This episode does something clever.

Instead of following Buffy and the usual apocalyptic drama, the story follows Xander, who usually gets pushed to the sidelines.

While the rest of the characters deal with a world-ending threat somewhere off screen, Xander accidentally wanders into his own strange adventure involving zombies, danger and the occasional explosion.

It’s a brilliant structural joke.

For once, the least heroic character in the show gets the story.

And you do something you can’t do in many Buffy episodes, you end up rooting for Xander.

Life on Mars – Series 1 Episode 1

Sometimes the funniest episodes are pilots.

Sam Tyler wakes up in 1973 and has to work with Gene Hunt, a police officer who solves crimes through shouting, intimidation and occasionally kicking doors down.

Sam tries to apply modern policing techniques.

Gene Hunt treats this as a personal insult.

Their partnership is instantly funny, partly because neither man thinks the other has any idea what he’s doing.

The show is a police drama. It just happens to contain one of the best comic double acts in television.

Three Stories – House

House teaching a medical class should be a simple premise.

Instead, it becomes one of the most inventive episodes the show ever produced.

House presents three mysterious patient cases to the students, insulting them and generally behaving like the most sarcastic lecturer imaginable.

The humour is pure character comedy. House simply cannot stop being House.

It’s funny, clever and eventually reveals something far more serious about the character.

Hit and Run – Better Call Saul

The genius of Better Call Saul is that it often feels like a comedy about extremely serious people.

In this episode Jimmy McGill attempts to deal with the fallout from a staged accident that goes slightly wrong.

Watching Jimmy try to manage the chaos he created is like watching someone juggle chainsaws while insisting everything is under control.

Which, in fairness, is most of Jimmy’s life.

Why drama can be funnier than comedy

Comedy in drama often works because it sneaks up on you.

You’re not waiting for a punchline. You’re watching characters under pressure, behaving exactly as they would in that moment.

Sometimes that behaviour is ridiculous.

And when it is, the humour feels real.

It also serves another purpose.

By making the audience laugh, these episodes relax us. They create warmth and connection with the characters.

Which means when the story turns darker, as several of these episodes eventually do, it hits harder.

Comedy isn’t undermining the drama.

It’s sharpening it.

What have I missed? Does Succession not count because it was written by comedy writers? Are Supernatural and Buffy not drama? Tell me why without letting on that you've obviously never watched it. Let me know by clicking here.

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